The logo of the post-migrant theatre Ballhaus Naunynstraße: a drawing of a dog’s head in profile, showing its teeth with its tongue hanging out. Next to the dog’s open mouth is a red star.

Ballhaus Naunynstraße

Surviving — Fragment I
Surviving — Fragment I
Surviving — Fragment I
Surviving — Fragment I
Surviving — Fragment I
Surviving — Fragment I
Surviving — Fragment I
Tanz

Surviving — Fragment I

By Juliana Piquero

1 October 2014, 9 pm; 2 & 4 October 2014, 8 pm

 

The first part of the research, Surviving ‒ everything is possible in this space in between, deals with bodies and their natural need for exchange. But what happens if there is no other body for interaction? How can a body respond to such a situation? By creating its own utopia where collective processes are expressed in abstract structures of movements, light and sound.

Everything is possible in this space in between is a journey full of atmosphere through various physical states: crisis is the situation; to exchange is the strategy; responsibility is the decision and adaptation is the possibility to walk forward. Everything is possible in this space in between is a path in which we undertake obstacles and use them as potentiated vitality.