The logo of the post-migrant theatre Ballhaus Naunynstraße: a drawing of a dog’s head in profile, showing its teeth with its tongue hanging out. Next to the dog’s open mouth is a red star.

Ballhaus Naunynstraße

Adrian Marie Blount

Adrian Marie Blount

Adrian Marie Blount or GodXXX Noirphiles (they/them) is a California born, non-binary, multidisciplinary/time-based media artist and loving single parent. Their work explores the alien, the other and environmentalism through afrofuturism and drag. Adrian has recently collaborated with Hive City Legacy: Naarm produced by Hot Brown Honey in Australia. In addition, they have directed Qweendom at Theater Oberhausen and have Art Directed for House of Living Colors’ notable production series, Endangered Species, for Orangerie, English Theatre Berlin and Tanztage at Sophiensæle.

Their solo works have been featured at Queer Performance Festival, Barbara by BARBA, Whole Festival, HKW, MissRead, Emerging Change festival at Ufer Studios, Underworld: Mycelium at Ballhaus Berlin, Münchner Kammerspiele, English Theatre Berlin, Oyoun and more. They also have guest mentored and lectured at Universität der Kunst and Universität der Grafik und Buchkunst in Leipzig. Additionally, they have been featured in productions at Volksbühne, Maxim Gorki Theater and beyond. Blount’s sculptural works have been featured at the Germanisches National Museum, Black Sex Workers Collective and The Memory Guardians by Nnenna Onuoha. At Ballhaus Naunynstraße they collaborate as a performer with choreographer Magda Korsinsky for the performance Arrival of the Village (2026).

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